Classes. Teachers. Registration.

Class Information / Details

New 4-Week Term begins Tue., November 29

This Special Holiday Term is a little different from our usual format. One class night (12/6) will be led by guest teacher Louis Robinson on “Folk Songs from the British Isles” (all classes meet together that night). Also, there’s a workshop on Music Improvisation with Joe Craven (12/13) that you can take as a option to your regular class that night. (Registered students receive $20 off Joe Craven’s workshop. See below.)

Please review class offerings below, and use the form at right to register. Each class is one hour and forty-five minutes long, once a week: this ‘half’ term is four weeks long.

WHEN: Tuesday evening, 7:00pm – 8:45pm

LOCATION: Oakhurst Baptist Church
222 E. Lake Drive, Decatur, 30030
» Google Map Link

COST: 4-Week Class Term – 11/29, 12/6, 12/13, 12/20
$65 per student per 4-week class term

NOTE: FHS Members receive a $5 discount this term.
Click here for information about membership and benefits!

Pay your class fee online, or by check:

Pay online with PayPal – You may pay your registration fee online at the same time you register, via our secure PayPal page (you may use any major credit card; and you do not need to create a PayPal account).

Pay by Check: Alternately, you may register online, and then mail in your check, if you prefer.
Make your check payable to: “Frank Hamilton School”
Mail to: Frank Hamilton School, P.O. Box 3645, Decatur, GA 30031

After you submit the registration form, you will receive a Registration Confirmation email from us with details about the class term you registered for. If you do not receive your confirmation email or have any other issues, questions or concerns, please contact us right away. Thank you.



Here’s the scoop on Joe Craven’s Workshop:

“Music Improvisation with Joe Craven:
How to be In the Moment & Without a Net”

Tuesday, December 13, 2016 – 7:30PM-9:30PM
Cost: $50 ($30 if you’re registered for the concurrent term)
How do you make better music in the moment, jam confidently with folks you’ve never met, and/or say something different every time you take a solo?

MORE INFO ON THE WORKSHOP? CLICK HERE!


Registration Form

Class Registration Form 11-29-2016 - half term
FHS members get a $5 discount on 4-week terms!
Click HERE to become a member now (then you can come back to this page).

IMPORTANT: Immediately after clicking the 'submit' button below, our PayPal window will open so that you can pay your fee online. If you are not prepared to make your PayPal payment at this time, please come back and register once you are ready. Your registration will be completed and confirmed in a detailed email from us after you have made your payment. Thank you!

IMPORTANT: After you submit this registration form, check your inbox for your Registration Confirmation email, which contains instructions for mailing your check, and information about the class you registered for. Please send in your payment check right away, as class size is limited, and your promptness will allow us to keep count of the number of students attending. Thank you!

My registration authorizes Frank Hamilton School (FHS) to use my name and any images of me taken or recorded during FHS classes or performances, including photographs, videos and sound recordings, for any purpose in connection with promoting FHS and its activities without any compensation or payment for such use.

Sending

CLASSES

Folk Songs from the British Isles (Dec. 6th)

You’ll learn the difference between English, Scottish and Irish folk music with expert Louis Robinson. All classes will meet together for this workshop!

GUITAR Level One

In this introductory class, you’ll learn basic chords and chord vocabulary, rhythmic chord changing, and simple strum patterns. You’ll learn your way around the guitar, tuning, and how to pick. You’ll be making music and singing along in no time!

GUITAR Level Two

If you already know the basic open chords in the keys of G, D, A and E (major and minor), you’re ready for Level 2. In this course you’ll learn new strum patterns and finger picking, and add the B7 and F chords to your chord repertoire. You’ll be introduced to the use of a capo, and to adding bass runs between chords. You’ll deepen your ability to transpose using the Roman numeral system, so you can play your favorite songs in the keys that are best for your voice.

GUITAR Level Three

Guitar 3 picks up where Level 2 left off, deepening your finger (Travis) picking skills, and adding new bass runs and fill-ins to your flat picking repertoire. You’ll learn how to use arpeggios as accompaniment in ballads, as well as strum patterns for folk rock rhythms. These core skills will set you up to play everything from folk to blues, to country and acoustic rock.

BANJO Level One

In beginning banjo you’ll first learn the clawhammer banjo style, since it provides accessible opportunities for both rhythm and melody playing. After learning how to play chords in the popular song keys, you’ll learn how to play simple melodies, create rhythmic variations, and to accompany while we sing. Please note that this class does not cover “Scruggs Style” 3-finger picking.

FIDDLE Level One

Our introductory fiddle class really gets your ear in gear. You’ll learn simple folk tunes by ear, and once you’ve picked up the way notes relate to each other in melodies, you’ll be able to teach yourself new songs in whatever musical style you’re passionate about. You’ll also learn about tone and intonation, and how chords and melodies fit together.

UKULELE Level One

Like all our classes, our introductory ukulele course trains you by ear. You’ll learn basic chords, and strumming and picking patterns. You’ll be able to sing and play folk tunes, and begin to hear chord changes, so you can learn on your own, too.

MANDOLIN Level One

In our introduction to mandolin you’ll learn to tune, strum and play basic chords while you sing. You’ll learn chord vocabulary and how to hear chord changes so you can learn on your own and play along with your favorite tunes.

VOCAL Level One

In our vocal class you’ll learn the elements of harmony and vocal ornamentation by singing through folk songs and ballads.  We’ll use the Old Town Folk School book as well as ballads and folk songs from recordings. You’ll develop an ear for creating layers of harmony and variations on familiar melodies, and, if you like, you’ll have a chance to sing a solo!

PLAYING IN A GROUP (New!)

Can you play a few songs, hold a steady beat, breathe while playing and… and maybe are ready to sing? Put those calluses to work in our new course! In this class for mixed instrumentalists (who want to sing or not) and vocalists (no instrument required), you’ll learn some of the secrets of ensemble playing. We’ll work on tempo and meter, learn melody and add some basic harmony. You’ll have an opportunity to learn the skills required of a leader: setting the tempo, bringing everyone in, directing solos, finishing, working with a microphone. Pre-requisites: Students should be able to play and easily make chords changes in the keys of D, A, G and E and use a capo (guitar/banjo). Bring to class your instrument, a capo (guitar/banjo), a music stand if you have one, and an open attitude!

TEACHERS

Clark Brown
Clark Brown, a resident of Atlanta, has been playing mandolin and guitar for almost fifty years. He has played in rock bands, country music groups, and at church. In 2003, he joined the Atlanta Mandolin Orchestra playing guitar and doing arrangements. He also plays mandolin in the duo MandoCordion, and he’s been performing solo at various venues around Atlanta since 2010. He developed his solo style while taking master classes from mandolinists Simon Mayor, Evan Marshall, Carlo Aonzo, and guitarist Rene Izquierdo.
Max Godfrey

Max Godfrey

Max’s first love is traditional American music. He has led workshops on worksongs and other call-and-response songs at colleges, farms, and community centers all over the northeast, including Sheepscot General, Whitefield ME; Williams College; Full Plate Farm Collective, Ithaca NY; Common Ground Farm, Beacon NY; Williamstown Rural Lands Foundation, Williamstown MA; SUNY New Paltz; and Billings Forge Community Works, Hartford CT.  He has also taught worksongs and old-time fiddle at the Folk Music Society of New York Spring weekend 2014.

Max’s vision is to give his students the tools they need to play by ear, play with others, improvise, and teach themselves. He makes it fun and easy for people learn together by using a call-and-response teaching method that develops a strong connection between ear, voice, and instrument. Then it’s natural to learn new music and join in with any group, and to play or sing well, too!

Max regularly performs in Atlanta at Freedom Farmers Market at the Carter Center, Grant Park Farmers Market, East Atlanta Farmers Market, Root City Pop-up Markets, and The Pullman in Kirkwood. Max’s essays on worksongs have been published in Taproot (Issue 13) and on Bennett Konesni’s worksongs.org.

Facebook pages for Max’s current projects:

Max and Maggie

Max Godfrey (Solo performance, lessons, writing, and workshops)

The New Millennium Jelly Rollers

Sourwood Honey

Max teaches Old-time American fiddle styles, clawhammer banjo and country-blues and folk guitar privately. You can contact him about lessons at mgodfrey218@gmail.com, or maxgodfrey.me or 404 218 4707.

John Harvey

John Harvey has played in musical groups ranging from his high school marching band and multiple ensembles to a weekly house-band and even a samba school. He has also led local jam sessions.

Originally from Austin, Texas, John has made the Decatur area of Atlanta his home for the past 9 years. Since discovering the Frank Hamilton School last year, he has volunteered as an assistant teacher and joined the FHS Band as a regular performer at festivals. Recently he launched a community jam session program for the school.

John brings to the school experience teaching English as a second language and coordinating music workshops. When he’s not training non-profits to use software, John spends as much time as possible singing and playing guitar and mandolin with other music lovers.

Mick Kinney
Mick Kinney enjoys fiddling a variety of styles including Appalachian, Cajun, Celtic, Blues and Swing. A professional musician since 1978, he has played the 1982 World Fair, McCabe's, House of Blues, Bluebird Cafe, Rendez vous des Cajuns, and NPR's Mountain Stage. Mick has performed with John Hartford, Victoria Williams, Michelle Malone, Atlanta blues man Frank Edwards, and 1920s recording artist Stranger Malone. Recent collaborations as a folklorist have been with the Smithsonian New Harmonies exhibit, Georgia Humanities Council, Carpetbag Theater, Dust to Digital Records and Northwest Georgia Textile Heritage Trail. Currently, Mick appears often with Elise Witt, jazz clarinetist Dub Hudson, and the Kinney family old time dance band "The HickHoppers." He has been an instructor at Swannanoa Gathering, John C. Campbell Folk School, Mars Hill College, Alabama Folk School, and Festival of American Fiddle Tunes. His class will focus on traditional fiddle technique and musical concepts such as scales, modes, and harmony.
Barbara Panter-Connah

Barbara grew up in Atlanta in a musical family from Copperhill, TN, a copper mining town on the
GA/TN line. Her fiddling grandfather, John B. ("Uncle Bert") Panter played for house dances, barn raisings, and other community gatherings, often alongside Fiddlin' John Carson.

After surviving a mine cave-in where his brother was killed, Barbara's grandfather declared that no son of his would work in the mines. Thus the whole family including Barbara’s grandparents, parents, and all but two of her father's siblings moved to Atlanta in the 1940s after WWII, providing a large extended family. Barbara's father, John Panter Jr., one of 7 brothers and 2 sisters, was a fine singer with a beautiful tenor voice and a keen sense of harmony. Some of Barbara's earliest memories are of falling to sleep at family gatherings listening to gospel singing with beautiful harmonies.

At the age of 3 Barbara began playing piano and singing and strumming her little ukulele and sang her 1st solo in church at the age of 4. Her grandfather gave her his fiddle when she was 8 years old and told her he expected her to become a fiddler, further setting her on course for a lifetime of music.

Barbara has played with several bands and performed throughout the southeast, in the northeast, southwest, British Isles, and even Serbia. She played and sang for over 40 years with her late husband, Whit Connah, in the band, Hurt Dog, that began in the 70s as an acoustic hillbilly, honky tonk, old time, Cajun band that evolved into Hair of the Dog with drums, and electric guitar, bass, and pedal steel; and continues with her son and daughter-in-law John and Audrey Ferguson, among others. Barbara is currently a member of The Rosin Sisters with Ann Whitley and Jan Smith, three fiddling “sisters” who love playing fiddle tunes and singing early country songs, with close attention to harmony!

Barbara loves teaching and facilitating others to find their way on fiddle or guitar, and delights in guiding harmony singing in a supportive fun environment. Barbara, with the Rosin Sisters, has had considerable experience leading harmony workshops at Blue Ridge Old Time Music Week at Mars Hill, NC; at Bear on the Square Festival in Dahlonega, GA, and the Dulcimer and Old Time Festival in Palestine, TX.

Jeff Pearlman

Jeff has been playing music since taking up the trumpet in middle school.  Highlights of his four years in the high school marching band include a stint on tuba and meeting his wife.  Jeff also began playing guitar in high school.  When Jeff’s children were younger, neighbor Frank Hamilton recommended the ukulele for them.  The kids didn’t learn the instrument, but Jeff did.  The ukulele led to banjo and then a return to guitar.  Over the years, Jeff has spent countless hours sharing music with school-aged children and adult peers.

Jeff approaches music lessons as a collaboration between teacher and student. By nurturing a rapport with his students, he can shape his classes to satisfy the individual tastes and goals of everyone in the group. In his class you’ll develop not just as an instrumentalist, but as a musician; learning by ear will give you the both the ability to play the songs you’ll learn from Jeff, but the capacity to play along with songs you don’t know!

Fritz Rauschenberg

Fritz has played and taught guitar for over 40 years and has performed folk music and “songs of the heart” in halls, coffee houses and bars for about as long as a singer/songwriter. He has taught private and group lessons in local music shops. Fritz loves to kindle the light of musical passion in his students, and his warm, relaxed teaching style reflects the pleasure he takes in bringing people and new music together.

Fritz studied classical guitar and music theory with Lyster Bass (Lyster currently teaches at Maple Street Guitars in Atlanta). During that time he played in the master class seminar at Emory University.

Fritz also enjoys playing ukulele, octave mandolin, mandola and harmonica. His luthier work includes restoring and repairing acoustic stringed instruments in the violin, guitar and mandolin families.

Shelley Satonin-Hershkovits
Shelley Satonin-Hershkovits loves to take beginners on the adventure of discovering music. She learned to play violin in elementary school and eventually played in the Flagstaff Symphony. She then worked on the administrative staff of the San Diego Symphony. After a hiatus from classical music and some dabbling in other genres and instruments, Shelley played violin in a cover band in the late 90's. This led to her teaching music classes and summer camps for small children, and taking training in the Suzuki method. In the next 15 years of full-time teaching, she saw so many people who thought they or their children had no “talent” experience the joy of the core Suzuki philosophy: anyone who can speak their mother tongue can learn to play an instrument well. Having completed the first Suzuki teacher training in classical guitar, Shelley realized she wanted to share a style of playing that was more accessible and popular. The opening of the Frank Hamilton School was the answer to her call.