Our New Term begins on Monday, January 8th!

1) Check out the classes we’re offering this term;
2) Choose your registration and preferred payment options and register!

Classes

Core Classes

BANJO 2 - Wed (Godfrey)

In this course we’ll delve deeper into the clawhammer style covered in the introductory course by learning several classic old-time dance tunes in addition to learning to better accompany our voices. If you’re comfortable with the clawhammer “bum-ditty” and can play in the gDGBD and gCGCD tunings, then this is the course for you! Having already covered the basic clawhammer rhythm in Banjo 1, we will focus on “filling out” songs with more advanced left-hand and right-hand techniques.

FIDDLE - Tue (Kinney)

Whether you’re new to fiddle, or you’re ready to experiment with different genres such as Bluegrass, Celtic, Cajun, Swing and more, this class will bring up your performance level and fine-tune your ear (no music reading is required). Beginners will learn to make confident bow strokes, keep time, and use basic scales in easy keys with simple tunes. If you’ve already mastered those skills, you’ll move on to harmony, double stops, playing in higher positions, and developing your own interests and personal style.

If you’ve never picked up a fiddle, or any musical instrument, we’d recommend an “intro to fiddle setup and tuning” workshop that we will customize for new students. Please check to box you’ll see on the registration form to let us know.

GUITAR 1 - Mon, Tue, Wed (Satonin)

In this introductory class, you’ll learn basic chords and chord vocabulary, rhythmic chord changing, and simple strum patterns. You’ll learn your way around the guitar, tuning, and how to pick. You’ll be making music and singing along in no time!

GUITAR 1 Repertoire - Mon, Tue, Wed (Rauschenberg)

If you’ve taken Guitar 1, or you used to play or have dabbled a bit and you need to get those callouses back, this is the class for you. You’ll firm up the skills you learned in Guitar 1, get more comfortable with rhythmic chord changes, simple strum patterns and transposition. This course can be repeated until you’re ready for the next level.

GUITAR 2 - Mon (Kinney), Tue (Scott)

If you already know the basic open chords in the keys of G, D, A and E (major and minor), you’re ready for Level 2. In this course you’ll learn new strum patterns and finger picking, and add the B7 and F chords to your chord repertoire. You’ll be introduced to the use of a capo, and to adding bass runs between chords. You’ll deepen your ability to transpose using the Roman numeral system, so you can play your favorite songs in the keys that are best for your voice.

GUITAR 3 - Tue (Hamilton)

Guitar 3 picks up where Level 2 left off, deepening your finger (Travis) picking skills, and adding new bass runs and fill-ins to your flat picking repertoire. You’ll learn how to use arpeggios as accompaniment in ballads, as well as strum patterns for folk rock rhythms. These core skills will set you up to play everything from folk to blues, to country and acoustic rock.

MANDOLIN 1 - Mon (Brown)

This course is for the beginning musician. You may have played an instrument or not. We will learn to tune, strum, and play basic chords while you sing. You’ll learn how to hear chords changes so you can learn songs on your owns, and play along with your favorite tunes.

MORE MANDOLIN - Tue (Brown)

If you already know the basic open chords in the key of D, G and A, you are ready for More Mandolin. We will learn new strum patterns, cross-picking, and some simple melodies, all while learning in a group setting, in a fun and sharing environment.

UKULELE - Mon (Pearlman)

Like all our classes, our introductory ukulele course trains you by ear. You’ll learn basic chords, and strumming and picking patterns. You’ll be able to sing and play folk tunes, and begin to hear chord changes, so you can learn on your own, too.

UKULELE, Intermediate: The Roaring 20's - Mon (Hamilton)

The ukulele (Hawaiian for “Jumping Flea”), commonly known as the uke, is one of the most accessible and fun instruments to play. It was popular in the 1920’s and many songs of the period were accompanied by it. The songs of the Roaring Twenties are particularly suited to it as well as the Hawaiian Hapa-Haoli songs (written by American popular songwriters). It sounds great at the beach. The songs are fun to play and ukes sound good together. Tunes such as “Mister Sandman”, “Five Foot Two”,and Hawaiian favorites such as “Lovely Hula Hands” and “Little Grass Shack” are lively and pleasing. It’s a part of Americana that fits in the tradition of what we now call folk music.

Students should know basic chords, I, IV and V in C, G, D, A, and E, and a few 7 and minor chords.

VOCAL HARMONY - Wed (Panter)

In our vocal harmony class you’ll learn the elements of harmony and vocal ornamentation. We’ll use tunes from the Old Town Folk School book as well as ballads and folk songs from recordings. You’ll develop an ear for creating layers of harmony and variations on familiar melodies that will help you sing harmony on new songs as well.

Specialty Classes

We offer a rotation of specialized classes to keep things interesting! If the class you like isn’t being offered this term, check back in the future—we’ll be bringing it back!

INSTRUMENTAL ENSEMBLE - Wed (Kinney)

Join us for an exploration of musical styles in a group setting. We will form ensembles to perform Bluegrass, Country, Blues, International, and other genres folks may want to try. Players may choose to work on melody, harmony, or rhythm, and this course is open to all instruments and abilities.

OLD-TIME BAND - Tue (Godfrey)

Before Bluegrass and Americana, before Country/Western, before “folk” became a genre of music, folks all over America were stomping their feet and dancing to that mix of African, European and Native American sound that is now known as “Old-Time.” Although traditional old-time music was best preserved in the isolation of the Appalachian Mountains, this course will also feature some tunes from right here in Georgia. We’ll cover some of the classics like “Soldier’s Joy,” “John Henry,” and “Sail Away Ladies,” as well some that you might never have heard of. This class is a great way to expand your repertoire, deepen your “learning-by-ear” skills, and dip your feet into the jam environment.

This course is open to all instruments that can play in the keys of G and D.

Course requirements:

Students of rhythm instruments (guitar, ukulele, mandolin, bass etc.) should be familiar with the following chords: C, G, D, A, and Em. Although we will play pieces at a moderate tempo, students should be able to change between these chords comfortably while maintaining a steady rhythm. Advanced mandolin students may also choose to join the fiddles on the melody.

Students of melody instruments (fiddle, concertina etc.), should be comfortable playing both D and G major scales.

Students of the banjo should be comfortable with three major chords of both the “Open G” tuning and the “Double D” tuning, and should be comfortable with the basic “bum-ditty” clawhammer stroke.

ROCK & BLUES for GUITAR Level 2 & UP - Wed (Brown)

If you have taken Guitar 1, and would like to explore 12 bar blues, early 60’s styles, and basic rock and roll – Elvis, Chuck Berry and the Beatles, this class is for you.

Students should be comfortable playing, singing, and making chord changes in the keys of E, A, D, and G.

Come and have fun playing guitar and remembering your “Rock and Roll” days.

Teachers

Clark Brown

Clark Brown, a resident of Atlanta, has been playing mandolin and guitar for almost fifty years. He has played in rock bands, country music groups, and at church. For 14 years he played guitar and did arrangements for the Atlanta Mandolin Orchestra. He also plays mandolin in the duo MandoCordion, and he’s been performing solo at various venues around Atlanta since 2010. He developed his solo style while taking master classes from mandolinists Simon Mayor, Evan Marshall, Carlo Aonzo, and guitarist Rene Izquierdo.

 

Eryk Fisher

 

Eryk Fisher began his musical journey with a harmonica and a songbook in the early 80’s. It didn’t take long to tire of commercial radio and discover local stations playing a variety of music that was culturally diverse, and to step into Atlanta’s blues scene. After playing at some open jams, he began performing in bands; regular stage performances coupled with mentoring from seasoned musicians formed the core foundation of his music education. Putting in countless hours of listening, playing, reading, writing, teaching, recording and wood-shedding expanded and continues to add to his musical knowledge.

Max Godfrey

Max Godfrey

Max’s first love is traditional American music. He has led workshops on worksongs and other call-and-response songs at colleges, farms, and community centers all over the northeast, including Sheepscot General, Whitefield ME; Williams College; Full Plate Farm Collective, Ithaca NY; Common Ground Farm, Beacon NY; Williamstown Rural Lands Foundation, Williamstown MA; SUNY New Paltz; and Billings Forge Community Works, Hartford CT.  He has also taught worksongs and old-time fiddle at the Folk Music Society of New York Spring weekend 2014.

Max’s vision is to give his students the tools they need to play by ear, play with others, improvise, and teach themselves. He makes it fun and easy for people learn together by using a call-and-response teaching method that develops a strong connection between ear, voice, and instrument. Then it’s natural to learn new music and join in with any group, and to play or sing well, too!

Max regularly performs in Atlanta at Freedom Farmers Market at the Carter Center, Grant Park Farmers Market, East Atlanta Farmers Market, Root City Pop-up Markets, and The Pullman in Kirkwood. Max’s essays on worksongs have been published in Taproot (Issue 13) and on Bennett Konesni’s worksongs.org.

Facebook pages for Max’s current projects:

Max and Maggie

Max Godfrey (Solo performance, lessons, writing, and workshops)

The New Millennium Jelly Rollers

Sourwood Honey

Max teaches Old-time American fiddle styles, clawhammer banjo and country-blues and folk guitar privately. You can contact him about lessons at mgodfrey218@gmail.com, or maxgodfrey.me or 404 218 4707.

John Harvey

John Harvey has played in musical groups ranging from his high school marching band and multiple ensembles to a weekly house-band and even a samba school. He has also led local jam sessions.

Originally from Austin, Texas, John has made the Decatur area of Atlanta his home for the past 9 years. Since discovering the Frank Hamilton School last year, he has volunteered as an assistant teacher and joined the FHS Band as a regular performer at festivals. Recently he launched a community jam session program for the school.

John brings to the school experience teaching English as a second language and coordinating music workshops. When he’s not training non-profits to use software, John spends as much time as possible singing and playing guitar and mandolin with other music lovers.

David Robert King

An Idaho native, David Robert King now lives in Decatur, GA with his wife, Marita. David’s songs have been in the top 40 on both the Americana and CCM Charts. He has shared the stage with Josh Ritter, Tim O’Brien, Darrell Scott, Mary Gauthier, Over The Rhine and Loudon Wainwright III. He has also been a featured performer at the legendary Bluebird Cafe in Nashville, TN. David has studied songwriting with the very best: Emily Saliers (Indigo Girls), Mary Gauthier, Darrell Scott, and Jonatha Brooke. David also has a Master’s degree in education from Lesley University in Cambridge, MA.

Mick Kinney

Mick Kinney enjoys fiddling a variety of styles including Appalachian, Cajun, Celtic, Blues and Swing. A professional musician since 1978, he has played the 1982 World Fair, McCabe’s, House of Blues, Bluebird Cafe, Rendez vous des Cajuns, and NPR’s Mountain Stage. Mick has performed with John Hartford, Victoria Williams, Michelle Malone, Atlanta blues man Frank Edwards, and 1920s recording artist Stranger Malone. Recent collaborations as a folklorist have been with the Smithsonian New Harmonies exhibit, Georgia Humanities Council, Carpetbag Theater, Dust to Digital Records and Northwest Georgia Textile Heritage Trail. Currently, Mick appears often with Elise Witt, jazz clarinetist Dub Hudson, and the Kinney family old time dance band “The HickHoppers.” He has been an instructor at Swannanoa Gathering, John C. Campbell Folk School, Mars Hill College, Alabama Folk School, and Festival of American Fiddle Tunes. His class will focus on traditional fiddle technique and musical concepts such as scales, modes, and harmony.

Barbara Panter-Connah

Barbara grew up in Atlanta in a musical family from Copperhill, TN, a copper mining town on the
GA/TN line. Her fiddling grandfather, John B. (“Uncle Bert”) Panter played for house dances, barn raisings, and other community gatherings, often alongside Fiddlin’ John Carson.

After surviving a mine cave-in where his brother was killed, Barbara’s grandfather declared that no son of his would work in the mines. Thus the whole family including Barbara’s grandparents, parents, and all but two of her father’s siblings moved to Atlanta in the 1940s after WWII, providing a large extended family. Barbara’s father, John Panter Jr., one of 7 brothers and 2 sisters, was a fine singer with a beautiful tenor voice and a keen sense of harmony. Some of Barbara’s earliest memories are of falling to sleep at family gatherings listening to gospel singing with beautiful harmonies.

At the age of 3 Barbara began playing piano and singing and strumming her little ukulele and sang her 1st solo in church at the age of 4. Her grandfather gave her his fiddle when she was 8 years old and told her he expected her to become a fiddler, further setting her on course for a lifetime of music.

Barbara has played with several bands and performed throughout the southeast, in the northeast, southwest, British Isles, and even Serbia. She played and sang for over 40 years with her late husband, Whit Connah, in the band, Hurt Dog, that began in the 70s as an acoustic hillbilly, honky tonk, old time, Cajun band that evolved into Hair of the Dog with drums, and electric guitar, bass, and pedal steel; and continues with her son and daughter-in-law John and Audrey Ferguson, among others. Barbara is currently a member of The Rosin Sisters with Ann Whitley and Jan Smith, three fiddling “sisters” who love playing fiddle tunes and singing early country songs, with close attention to harmony!

Barbara loves teaching and facilitating others to find their way on fiddle or guitar, and delights in guiding harmony singing in a supportive fun environment. Barbara, with the Rosin Sisters, has had considerable experience leading harmony workshops at Blue Ridge Old Time Music Week at Mars Hill, NC; at Bear on the Square Festival in Dahlonega, GA, and the Dulcimer and Old Time Festival in Palestine, TX.

Jeff Pearlman

Jeff has been playing music since taking up the trumpet in middle school.  Highlights of his four years in the high school marching band include a stint on tuba and meeting his wife.  Jeff also began playing guitar in high school.  When Jeff’s children were younger, neighbor Frank Hamilton recommended the ukulele for them.  The kids didn’t learn the instrument, but Jeff did.  The ukulele led to banjo and then a return to guitar.  Over the years, Jeff has spent countless hours sharing music with school-aged children and adult peers.

Jeff approaches music lessons as a collaboration between teacher and student. By nurturing a rapport with his students, he can shape his classes to satisfy the individual tastes and goals of everyone in the group. In his class you’ll develop not just as an instrumentalist, but as a musician; learning by ear will give you the both the ability to play the songs you’ll learn from Jeff, but the capacity to play along with songs you don’t know!

Fritz Rauschenberg

Fritz has played and taught guitar for over 40 years and has performed folk music and “songs of the heart” in halls, coffee houses and bars for about as long as a singer/songwriter. He has taught private and group lessons in local music shops. Fritz loves to kindle the light of musical passion in his students, and his warm, relaxed teaching style reflects the pleasure he takes in bringing people and new music together.

Fritz studied classical guitar and music theory with Lyster Bass (Lyster currently teaches at Maple Street Guitars in Atlanta). During that time he played in the master class seminar at Emory University.

Fritz also enjoys playing ukulele, octave mandolin, mandola and harmonica. His luthier work includes restoring and repairing acoustic stringed instruments in the violin, guitar and mandolin families.

Shelley Satonin-Hershkovits

Shelley Satonin-Hershkovits loves to take beginners on the adventure of discovering music. She learned to play violin in elementary school and eventually played in the Flagstaff Symphony. She then worked on the administrative staff of the San Diego Symphony. After a hiatus from classical music and some dabbling in other genres and instruments, Shelley played violin in a cover band in the late 90’s. This led to her teaching music classes and summer camps for small children, and taking training in the Suzuki method. In the next 15 years of full-time teaching, she saw so many people who thought they or their children had no “talent” experience the joy of the core Suzuki philosophy: anyone who can speak their mother tongue can learn to play an instrument well. Having completed the first Suzuki teacher training in classical guitar, Shelley realized she wanted to share a style of playing that was more accessible and popular. The opening of the Frank Hamilton School was the answer to her call.

Payton Scott

Payton Scott started playing the banjo at the age of 14, and soon added the guitar, mandolin, bass, accordion, and dulcimer. Payton has studied under Steve Martin Banjo Prize-winner Jens Kruger, world renowned guitarist Uwe Kruger, and the wonderful Frank Hamilton. Payton performs in a folk duo with Sara Grace Carmical called The January Duo. He also performs regularly with his father, Christopher, at markets, festivals, concert halls, and private venues.

Payton lives in Newnan, Georgia and is studying to become a lawyer in Atlanta.

Mike Simpson

Mike Simpson has been a leader in the Atlanta Irish music scene for 25 years. In the early 90s he wrote what was for years the web’s leading tin whistle tutorial, and taught slow sessions in the late 90s and early 2000s. He has played in numerous bands and ensembles over the years including Caislean, The New Road, and The Long Drop, and anchored Atlanta’s longest-running traditional music session from 1993 to 2013. In 2004 he went to Dublin and obtained the T.T.C.T. certification for teachers of Irish music (on fiddle), and in 2009 he released a self-produced CD entitled, “Other Forms of Magic”. He currently anchors a weekly session at The Wrecking Bar, and performs for contra dances and special occasions.

Private lessons are available on a wide variety of instruments. Please contact us or call Shelley Satonin-Hershkovits at 770.815.0518 if you’re interested!

Registration & Payment Options

Single Term, 1 Class

Choose your day and class, and register for a single term. A single term is 8 weeks long.
Pay your class fee online, or by check.
$140 per student per term
$130 for FHS Members*
Note: Monday classes will not meet on MLK Day (1/15) so the fee will be $122.50 ($113.75 for FHS Members) for a 7 week term.

Single Term, 2nd Half Only

If you already play pretty well but want to find new musical friends, our Second Half option is for you! Arrive at 8pm for 45 minutes of jamming and singing when all the classes come together.
Pay your class fee online, or by check.
$40 per student per term.

* Click here for information about membership and benefits!

Monthly, 1 Class

Save money if you learn continuously! Save $120 a year with monthly billing. Continue for as long as you like and stop any time.
Requires monthly auto-pay through PayPal.
$60 per month plus a one-time $25 registration fee
$55 per month plus a one-time $25 registration fee for FHS Members*

Monthly, 2-3 Classes

Learn a lot and save a bundle! Continue for as long as you like and stop any time.
Requires monthly auto-pay through PayPal.
$90 per month plus a one-time $25 registration fee
$85 per month plus a one-time $25 registration fee for FHS Members*

Monthly, RETURNING, 1 or 2-3 Classes

For Students who are already signed up for monthly classes and on auto-pay; click the button below to select your class(es) for the new term.

The FYI and BTW

Our New Term begins on Monday, January 8th

THIS TERM’S CLASS DATES:
Monday – 1/8 (no class 1/15), 1/22, 1/29, 2/5, 2/12, 2/19, 2/26
Tuesday – 1/9, 1/16, 1/23, 1/30, 2/6, 2/13, 2/20, 2/27
Wednesday – 1/10, 1/17, 1/24, 1/31, 2/7, 2/14, 2/21, 2/28
No classes on 1/15 MLK Day…
Monday Class fee is reduced this term.

CLASS HOURS:
Classes are from 7pm-8:45pm.
2nd Half’ers show up at 8pm and jam with the everybody!

SCHOOL LOCATION:
Classes are held at the Oakhurst Baptist Church
222 East Lake Drive, Decatur, GA 30030
Google Map Link

Questions? Contact us!!